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嗯，低調精致，我喜歡這樣的英國探案劇，神夏前兩季也是這種感覺。

Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.

這劇感覺就幾幕就完事了……

一種迷人的魅力，就像喜歡梅里美的小說，伯格曼的電影總是有一種說不出的吸引力。

7/10。怪癖可愛的少探符合現(xiàn)代審美，讀故事書哄睡小寡婦，懂關切憐愛，老局長簡直清教徒得令人反感，出軌受賄等敏感調查一概阻擾；1集郵局搶劫、剝奪撫養(yǎng)權、父為子殺人的案情多向發(fā)展互相烘托劇情和提供線索，2集高智商殺手死于話嘮太俗套，3、4集人物情感點到為止，可惜反派威脅家人的戲碼有些狗血。